'Rustic Ragas: Inner Melodies of Thota Vaikuntam'
Timeless
Books.
AbMaa Publishing, New
Delhi.
149 pages.
Full colour.
Hardcover.
2008.
Rs.
1,800.
ISBN: 9788189497155
Main essay by Aditi De.
Foreword by Krishen Khanna. He is one of India's most reputed artists. He worked as a banker from 1948
to 1961 before deciding it was far better to follow his destiny as an
artist than to stay in a secure job. A member of the Progressive Artists
Group, Bombay, he has held more than forty one-man exhibitions in India
and abroad, and participated in all the important Triennales and
Biennales in the world - at Sao Paulo, Venice, New Delhi, Tokyo and
elsewhere. His work is represented in several major museums including
the Museum of Modern Art, New York and the National Gallery of Modern
Art, New Delhi. A recipient of the Padma Shri, he divides his time
between Delhi and Shimla.
Afterword by S H
Raza. He is an eminent Indian artist who has lived and worked in France since
1950. He was awarded the Padma Shri in 1981, and is a Fellow of the
Lalit Kala Akademi, New Delhi. He is also the recipient of the Kalidas
Samman from the Madhya Pradesh State Government in 1996.
* * *
This book presents fifteen new dramatic paintings by Hyderabad-based
artist Vaikuntam. The artist grew up in a village called Boorugupalli in
the Karimnagar district within the Telangana heartland of Andhra
Pradesh.
The people of his village have often been depicted in his work,
especially his portrayals of women - they could be his mother, an
entertainer, a neighbour, a labourer, a gaze encountered in the teeming
bazaar, even a family friend from his childhood.
Vaikuntam's Telangana
folk meld the memory of his eyes and his fingers. They embody a unique
world, of daily rites of life couched within an imaginative terrain. The
monumentality of Vaikuntam's figures in rich primary colours of the
earth assume a mythical dimension, enhanced by the solidity of their
execution in acrylic. They seem like demigods, not village folk-looming,
tantalizing, almost unapproachable.
Vaikuntam voices the collective
yearning for a separate Telangana identity, beyond politics, beyond
couched cultures. His rich palette and easily recognizable faces and
figures have given his work acceptability; paintings that are strikingly
modern without any allegiance to anything usually associated with
modernity. In these huge canvases, Vaikuntam immortalizes his earthy
icons for all time.
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Saturday, 31 March 2012
Rustic Ragas: Inner Melodies of Thota Vaikuntam
Lines from an artistic life: the drawings of Adimoolam
Lines from an Artistic Life: The drawings of Adimoolam
Lund Humphries/ Mapin
152 pages
180 duotone illustrations
Hardcover
2007
Rs. 1,200/ £35.00
ISBN: 978-0-85331-982-5
'A Life in a Line: The drawings of KM Adimoolam': Main essay by Aditi De
Foreword by Tanuj Berry and Saman Malik
Lund Humphries/ Mapin
152 pages
180 duotone illustrations
Hardcover
2007
Rs. 1,200/ £35.00
ISBN: 978-0-85331-982-5
'A Life in a Line: The drawings of KM Adimoolam': Main essay by Aditi De
Foreword by Tanuj Berry and Saman Malik
'A Reflection on Adimoolam's Drawings' by Krishen Khanna. He is one of India’s most
distinguished contemporary artists. He was a member of the Progressive Artists’
Group and has been honoured by the President of India with a Padma Shri in 1996.
'Thinking the Line' by Jehangir Sabawala. He has held several solo shows
and participated in major exhibitions all over the world. He was awarded the
Padma Shri in 1977.
·
'Lines from an Artistic Life' is the first book to
explore the drawings of eminent Indian artist K.M. Adimoolam, well known in
India and internationally for his meticulous pen-and-ink drawings on subjects
ranging from realistic portraits of Mahatma Gandhi to idealised portrayals of
Indian Kings and warriors, and semi-abstract depictions of Hindu gods informed
by Cubism.
Born in 1938 in Tiruchirapalli in Tamil Nadu, K.M. Adimoolam's natural aptitude for drawing at an early age made him move to Chennai in 1959. There, under the influence of the sculptor Dhanapal, he enrolled in the School of Arts and Crafts. After completing his Diploma in Advanced Painting in 1966, Adimoolam started a series of black-and-white portraits of Mahatma Gandhi. Sketching from photographs of the great man, he finished nearly 100 drawings that covered over 60 years of the Mahatma's life.
At about this time, Adimoolam came into contact with Tamil writers and began an association with them, illustrating their works, after which he took up oil painting. Colour came into his life, causing him to move from the figurative to the abstract.
Adimoolam now works with equal ease at drawing and painting, combining the two to produce a large body of work. The recipient of many honours and awards, his works are held in numerous public and private collections in India and abroad. This book will appeal to all those with an interest in drawing, contemporary art and Indian culture.
Born in 1938 in Tiruchirapalli in Tamil Nadu, K.M. Adimoolam's natural aptitude for drawing at an early age made him move to Chennai in 1959. There, under the influence of the sculptor Dhanapal, he enrolled in the School of Arts and Crafts. After completing his Diploma in Advanced Painting in 1966, Adimoolam started a series of black-and-white portraits of Mahatma Gandhi. Sketching from photographs of the great man, he finished nearly 100 drawings that covered over 60 years of the Mahatma's life.
At about this time, Adimoolam came into contact with Tamil writers and began an association with them, illustrating their works, after which he took up oil painting. Colour came into his life, causing him to move from the figurative to the abstract.
Adimoolam now works with equal ease at drawing and painting, combining the two to produce a large body of work. The recipient of many honours and awards, his works are held in numerous public and private collections in India and abroad. This book will appeal to all those with an interest in drawing, contemporary art and Indian culture.
* * *
Review excerpt:
·
' … these works have a significant role in the
development of modern Indian painting'. Asian Art Books 2007
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